In these silkscreen variants layered with chine collé, beeswax, and gold leaf, I explore the porous boundary between the instant and the infinite—between bodily presence and intangible time. Spinal CT scans of the artist's lower back bone symbiotic worlds pulsing beneath the surface of pain remind us that such suffering does not simply pass—it endures, often outlasting our lifetimes. Fungi, in the printings, live in quiet partnership with our bodies: growing with us, sleeping within us, and eventually returning us to the earth. Both pain and fungi become unwritten chronologies for us to feel the time. In contrast, our external world accelerates—AI and virtual environments promise transcendence, frictionless speed. But can disembodied intelligence truly understand time that swells with feeling, or stretches with suffering? This work is a meditation on what machines cannot yet map: the viscous, lived duration of embodiment. By slowing down to print, to gild, to embed pain in texture, I reclaim time as an emotional terrain—fluid, fractured, deeply human.