Yinzhu Yao

AFTERMATH IN TRIPOLI

Undated

Medium:

Digital print on paper

Dimension:

15.7 x 15.7 in, 10 x 12 in, 12 x 16 in

The project AFTERMATH IN TRIPOLI, a memorial hall for the victims of illegal voyages in Libya, seeks to redefine the traditional perception of graves by transforming the concept into a powerful symbol of reflection and remembrance. The memorial features distinct exhibition spaces for locals and visitors alike, displaying death toll statistics, personal belongings of the victims, and recordings of their final moments.

At the core of the memorial lies a spiritual space, where the remains of the victims are directly presented. Visitors ascend through layers of steps, each level densely filled with displayed bodies. There is nothing more profound and moving than confronting these remains firsthand. This space also serves as a place of mourning for the families of the deceased.

To truly understand the plight of the victims, all visitors must travel to the memorial by boat, offering a symbolic journey. They can dive to view the wreckage of the sunken ships up close, providing an even more immersive experience, seeing the Islamic pattern on the façade of the building in the seawater.

This memorial hall, serving both as a burial site and a place of sacred contemplation, encourages visitors to meditate on the fragility of life and the profound value of peace.

About the Artist

Yinzhu Yao

Yinzhu Yao is a dynamic architectural designer whose expertise is shaped by a broad and diverse background, spanning multiple countries and disciplines. With both a BArch and MArch degree, Yinzhu's design philosophy centers on creating spaces that are innovative, sustainable, and deeply connected to their cultural and environmental contexts. Professionally, Yinzhu has honed their craft at some of the most prestigious architectural firms around the globe. As a Technical Designer at Gensler in Washington, D.C., Yinzhu played a crucial role in high-stakes projects that demanded both creative ingenuity and technical precision. Their experiences at Sou Fujimoto Atelier in Tokyo and Kengo Kuma & Associates provided unique insights into innovative design philosophies, reinforcing Yinzhu's belief in the power of architecture to harmonize functionality with aesthetic beauty.

In many ways, architects are the ones who shape the concept of "home." Yinzhu's understanding of nostalgia is that one has a home but cannot return to it, and yet is forced to embark on a journey. Having been away from home for many years, Yinzhu came to the United States for academic and career growth. From this perspective, Yinzhu deeply resonates with architectural designs that evoke feelings of nostalgia. A home represents a safe haven for everyone, while the journey away from it symbolizes freedom, exploration, and progress. It is both alluring and thrilling, yet filled with unknown risks. Many individuals, in the moment of departure, may not fully grasp the significance of separation, as they are often driven by ambition and the opportunities of the present. Nostalgia, as a sentiment, tends to manifest later, slowly revealing its emotional weight over time.


Yinzhu Yao

AFTERMATH IN TRIPOLI

Undated

Medium:

Digital print on paper

Dimension:

15.7 x 15.7 in, 10 x 12 in, 12 x 16 in

The project AFTERMATH IN TRIPOLI, a memorial hall for the victims of illegal voyages in Libya, seeks to redefine the traditional perception of graves by transforming the concept into a powerful symbol of reflection and remembrance. The memorial features distinct exhibition spaces for locals and visitors alike, displaying death toll statistics, personal belongings of the victims, and recordings of their final moments.

At the core of the memorial lies a spiritual space, where the remains of the victims are directly presented. Visitors ascend through layers of steps, each level densely filled with displayed bodies. There is nothing more profound and moving than confronting these remains firsthand. This space also serves as a place of mourning for the families of the deceased.

To truly understand the plight of the victims, all visitors must travel to the memorial by boat, offering a symbolic journey. They can dive to view the wreckage of the sunken ships up close, providing an even more immersive experience, seeing the Islamic pattern on the façade of the building in the seawater.

This memorial hall, serving both as a burial site and a place of sacred contemplation, encourages visitors to meditate on the fragility of life and the profound value of peace.

About the Artist

Yinzhu Yao

Yinzhu Yao is a dynamic architectural designer whose expertise is shaped by a broad and diverse background, spanning multiple countries and disciplines. With both a BArch and MArch degree, Yinzhu's design philosophy centers on creating spaces that are innovative, sustainable, and deeply connected to their cultural and environmental contexts. Professionally, Yinzhu has honed their craft at some of the most prestigious architectural firms around the globe. As a Technical Designer at Gensler in Washington, D.C., Yinzhu played a crucial role in high-stakes projects that demanded both creative ingenuity and technical precision. Their experiences at Sou Fujimoto Atelier in Tokyo and Kengo Kuma & Associates provided unique insights into innovative design philosophies, reinforcing Yinzhu's belief in the power of architecture to harmonize functionality with aesthetic beauty.

In many ways, architects are the ones who shape the concept of "home." Yinzhu's understanding of nostalgia is that one has a home but cannot return to it, and yet is forced to embark on a journey. Having been away from home for many years, Yinzhu came to the United States for academic and career growth. From this perspective, Yinzhu deeply resonates with architectural designs that evoke feelings of nostalgia. A home represents a safe haven for everyone, while the journey away from it symbolizes freedom, exploration, and progress. It is both alluring and thrilling, yet filled with unknown risks. Many individuals, in the moment of departure, may not fully grasp the significance of separation, as they are often driven by ambition and the opportunities of the present. Nostalgia, as a sentiment, tends to manifest later, slowly revealing its emotional weight over time.


Yinzhu Yao

AFTERMATH IN TRIPOLI

Undated

Medium:

Digital print on paper

Dimension:

15.7 x 15.7 in, 10 x 12 in, 12 x 16 in

The project AFTERMATH IN TRIPOLI, a memorial hall for the victims of illegal voyages in Libya, seeks to redefine the traditional perception of graves by transforming the concept into a powerful symbol of reflection and remembrance. The memorial features distinct exhibition spaces for locals and visitors alike, displaying death toll statistics, personal belongings of the victims, and recordings of their final moments.

At the core of the memorial lies a spiritual space, where the remains of the victims are directly presented. Visitors ascend through layers of steps, each level densely filled with displayed bodies. There is nothing more profound and moving than confronting these remains firsthand. This space also serves as a place of mourning for the families of the deceased.

To truly understand the plight of the victims, all visitors must travel to the memorial by boat, offering a symbolic journey. They can dive to view the wreckage of the sunken ships up close, providing an even more immersive experience, seeing the Islamic pattern on the façade of the building in the seawater.

This memorial hall, serving both as a burial site and a place of sacred contemplation, encourages visitors to meditate on the fragility of life and the profound value of peace.

About the Artist

Yinzhu Yao

Yinzhu Yao is a dynamic architectural designer whose expertise is shaped by a broad and diverse background, spanning multiple countries and disciplines. With both a BArch and MArch degree, Yinzhu's design philosophy centers on creating spaces that are innovative, sustainable, and deeply connected to their cultural and environmental contexts. Professionally, Yinzhu has honed their craft at some of the most prestigious architectural firms around the globe. As a Technical Designer at Gensler in Washington, D.C., Yinzhu played a crucial role in high-stakes projects that demanded both creative ingenuity and technical precision. Their experiences at Sou Fujimoto Atelier in Tokyo and Kengo Kuma & Associates provided unique insights into innovative design philosophies, reinforcing Yinzhu's belief in the power of architecture to harmonize functionality with aesthetic beauty.

In many ways, architects are the ones who shape the concept of "home." Yinzhu's understanding of nostalgia is that one has a home but cannot return to it, and yet is forced to embark on a journey. Having been away from home for many years, Yinzhu came to the United States for academic and career growth. From this perspective, Yinzhu deeply resonates with architectural designs that evoke feelings of nostalgia. A home represents a safe haven for everyone, while the journey away from it symbolizes freedom, exploration, and progress. It is both alluring and thrilling, yet filled with unknown risks. Many individuals, in the moment of departure, may not fully grasp the significance of separation, as they are often driven by ambition and the opportunities of the present. Nostalgia, as a sentiment, tends to manifest later, slowly revealing its emotional weight over time.