Peach Blossom Spring is a four-piece series that reimagines an idyllic, utopian home—a place where individuals can live authentically, free from judgment and societal constraints. Drawing from the ancient Chinese tale of Tao Hua Yuan Ji, this work reflects a longing for a world of peace, mutual respect, and understanding. Each piece explores the theme of finding belonging and self-acceptance, creating a visual journey of harmony between the individual and the collective. The soft, vibrant hues mirror the emotional warmth and tranquility of this idealized landscape.

The Growth of All Things is a large-scale diptych that delves into the chaotic, yet vibrant energy of life and personal growth. Inspired by the dynamic, ever-evolving cityscape of Wuhan, the work explores how external environments shape internal struggles, particularly mental conflict and emotional turbulence. The textured sandpaper surface, combined with the vivid strokes of pastel, evokes the city’s scorching heat, symbolizing both creative intensity and inner unrest. The pieces express a battle between stagnation and self-evolution, mirroring the tension between growth and internal friction.

Nightmare in the Sea embodies my internal conflict, casting the ocean as both a symbol of the unknown and a realm of conquest. This dual representation mirrors my own struggles—torn between overcoming fears and feeling adrift in the vastness of the unknown.

The deep, dark ocean captures this dichotomy: it is at once a menacing abyss and a mysterious world beckoning exploration. My twelve-year journey in the United States parallels this experience, where I have both lost and rediscovered myself amid life’s relentless currents.

This piece is more than a reflection of personal conflict; it explores the human condition when facing the depths of the unknown. It portrays our journey through life’s shadowy realms, highlighting our capacity for resilience and renewal, guiding us through the darkness with hope as our compass.